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A Clear and Simple Guide for Our Video Wall Products and Where They Work Best
LED Vision builds 13 series of LED video wall. They differ in two ways that matter: where the screen lives — indoors, outdoors, on a floor, in front of a camera — and how close people stand to it. Everything below is written without jargon, so you can find the right one and click straight through.
Which one do you need?
The short version. Find the line that sounds like your project.
- An indoor screen people stand right next to
- Vision MiP or Infinity
- A screen to replace the projector in a meeting room
- Taurus
- A screen that curves around the room
- ARC
- A thin strip for a shelf edge, pillar or narrow gap
- Luma Pad
- A screen people walk across
- Quantum
- A billboard read from across the road
- Unity Platinum
- A big outdoor screen with a lower electricity bill
- Orion-35
- A backdrop to film with cameras, instead of a green screen
- Horizon
- One screen that works both indoors and outdoors
- Vista
- A screen that gets packed up and moved constantly
- Trader
Indoor screens
For inside buildings. Softer brightness, finer detail, lighter panels.
Vision MiP
P0.7–P0.9 · from 3 ftThe sharpest indoor screen we make. Micro LED technology keeps it looking perfect from a foot away and on camera.
Typically used for: flagship retail stores, corporate lobbies, museum galleries, private home cinema.
Choose this if people will stand close enough to touch the screen and it has to look flawless.
Infinity
P0.7–P1.5 · from 3 ftA large indoor screen with no visible joins between panels, still sharp when people stand close.
Typically used for: trading floors, newsrooms, broadcast studios, premium building lobbies.
Choose this if you need one big seamless picture rather than a grid of panels.
Taurus
P1.9–P2.6 · from 6 ftThe screen that replaces a projector. It stays bright with the lights on, has no bulb to replace, and nobody casts a shadow walking past it.
Typically used for: boardrooms, conference rooms, classrooms, training rooms, churches.
Choose this if you are tired of dimming the lights for a presentation.
ARC
P1.9–P2.6 · from 6 ftA screen that curves around the viewer instead of sitting flat, so the picture wraps a room or a column.
Typically used for: hotel and office atriums, brand experience spaces, exhibitions, control rooms.
Choose this if a flat rectangle will not fit the shape of the space, or you want people to feel surrounded.
Luma Pad
P1.9 · from 6 ftThin strips of screen for narrow spaces where a normal panel will not fit.
Typically used for: shop shelf edges, pillars and columns, wayfinding signs, architectural accents.
Choose this if the space you want to light up is long and skinny.
Quantum
P1.2–P10 · floor panelsA screen you walk on. The panels take the weight of people and can react as they step.
Typically used for: museum floors, retail pop-ups and activations, dance floors, children's play areas.
Choose this if the display needs to be underfoot rather than on a wall.
Outdoor screens
Sealed against rain and dust, and far brighter so they stay readable in direct sun.
Oasis
P1.5–P1.9 · from 6 ftAn outdoor screen sharp enough to stand right next to. Sealed COB construction shrugs off rain, dust and knocks.
Typically used for: shopfront windows, hotel entrances, outdoor shopping centres, drive-through menu boards.
Choose this if it is outside and people will be close to it.
Nova
P1.9–P2.9 · from 6–10 ftAn outdoor screen for places people walk past close by, at a lower cost than Oasis for similar sharpness.
Typically used for: public plazas, transit stations, venue entrances, outdoor retail.
Choose this if you want good outdoor detail without paying for the finest pitch available.
Orion-35
P3.9–P4.8 · from 13 ftA large outdoor screen built to cost less to run, using less electricity for the same brightness.
Typically used for: stadium scoreboards, car park signage, digital billboards where running cost matters.
Choose this if the screen will be on all day and the power bill is part of the decision.
Unity Platinum
P5.7–P10 · from 20 ftA very large outdoor screen for the side of a building or beside a road, bright enough to read in full sun from across the street.
Typically used for: roadside billboards, building facades, stadium exteriors, large-format outdoor advertising.
Choose this if nobody will be closer than about 20 feet and the screen has to beat daylight.
Studio, hybrid and touring screens
Built for one specific job: being filmed, working in both environments, or surviving the road.
Horizon
P1.9–P2.6 · camera-safeA screen used as a film backdrop and filmed by cameras instead of a green screen. Its high refresh rate stops the flicker and banding cameras normally pick up.
Typically used for: film studios, XR broadcast sets, in-camera VFX (ICVFX), corporate studios.
Choose this if a camera will be pointed at the screen. Ordinary displays will ruin the shot.
Vista
P2.6–P4.8 · indoor + outdoorOne screen that works both indoors and outdoors, so a venue does not have to buy two.
Typically used for: multi-purpose venues, festivals and outdoor concerts, amphitheatres, touring stages.
Choose this if the same screen has to move between an indoor hall and an outdoor stage.
Trader
Touring · impact resistantA tough screen built to be packed into flight cases, trucked to the next city and rigged again, week after week.
Typically used for: rental houses, concert touring, staging companies, repeat event hire.
Choose this if the screen gets handled by a different crew every week.
Every series compared
| Series | Where it goes | Pixel pitch | Stand at least | Best known for |
|---|---|---|---|---|
| Vision MiP | Indoor | P0.7–P0.9 | 3 ft / 1 m | The sharpest screen in the range |
| Infinity | Indoor | P0.7–P1.5 | 3–5 ft / 1–1.5 m | Big and completely seamless |
| Taurus | Indoor | P1.9–P2.6 | 6 ft / 2 m | Replacing meeting-room projectors |
| ARC | Indoor | P1.9–P2.6 | 6 ft / 2 m | Curving around a room |
| Luma Pad | Indoor | P1.9 | 6 ft / 2 m | Thin strips for narrow gaps |
| Quantum | Indoor floor | P1.2–P10 | Underfoot | A screen you can walk on |
| Oasis | Outdoor | P1.5–P1.9 | 6 ft / 2 m | Sharp outdoors and close up |
| Nova | Outdoor | P1.9–P2.9 | 6–10 ft / 2–3 m | Outdoor detail at lower cost |
| Orion-35 | Outdoor | P3.9–P4.8 | 13 ft / 4 m | Lower electricity bills |
| Unity Platinum | Outdoor | P5.7–P10 | 20 ft / 6 m | Billboards and building facades |
| Horizon | Studio | P1.9–P2.6 | Camera distance | Filming without a green screen |
| Vista | Indoor + outdoor | P2.6–P4.8 | 10–16 ft / 3–5 m | One screen for both environments |
| Trader | Touring | Configurable | Varies by pitch | Surviving life on the road |
Common questions
What is pixel pitch in simple terms?
Pixel pitch is the gap between LED dots, measured in millimetres. A smaller number means the dots are closer together, so the picture stays sharp when you stand near the screen — but it costs more. Useful rule of thumb: the pitch number is roughly the closest comfortable viewing distance in metres. A P2.6 screen looks good from about 2.6 m, or 8 feet, away.
What is the difference between an indoor and an outdoor screen?
Outdoor screens are sealed against rain and dust (IP65 or IP66) and are far brighter — around 5,000 to 10,000 nits — so they stay readable in direct sunlight. Indoor screens are dimmer at 600 to 1,500 nits, lighter, quieter and usually finer pitch. Putting an indoor screen outside will destroy it. Vista is the one built for both.
Can an LED wall replace a projector?
Yes. An LED wall stays bright with the room lights on, has no bulb to replace, makes no fan noise, and nobody casts a shadow walking in front of it. Taurus is the series designed specifically for this.
Can you walk on an LED screen?
Yes, if the panels are built for it. Quantum is an interactive LED floor — the panels are load-bearing and can respond as people step. Standard wall panels are not rated for foot traffic.
Why do screens used in film studios cost more?
Cameras pick up flicker and banding the human eye cannot see, so studio walls need a much higher refresh rate and more accurate colour. Horizon is built for virtual production, where the wall becomes the filmed background instead of a green screen.
How much does an LED video wall cost?
Three things drive the price: how big it is, how fine the pixel pitch is, and whether it has to survive outdoors. Small indoor walls start in the low five figures; large billboards and fine-pitch studio walls go up from there. We return a no-obligation quote, usually within 15 minutes.
How long does an LED video wall last?
Around 100,000 hours — over ten years of continuous use. Panels are modular, so individual modules and power supplies swap out in minutes rather than needing a whole new wall. Every LED Vision display carries a 3-year quality guarantee. Full figures are on each spec sheet.
Not sure which one?
Tell us where the screen goes, how far away people stand, and what it will show. We'll pick the series and send a real number, usually within 15 minutes.